How do I prevent my protagonist from ending the world?

Asked by: John Tucker

How do I make my protagonist suffer?

Fun Ways to Make Your Characters Suffer

  1. Create an adversary.
  2. Bring up the past.
  3. Make them choose between 2 bad situations.
  4. Make them face their fears.
  5. Challenge their worldview.
  6. Take away their control.
  7. Cause and effect.
  8. Find what makes them uncertain/off-balance.

What is keeping the protagonist from getting what she wants?

Two kinds of obstacles

What keeps your protagonist from her external goal? Typically, the kind of plot-driven obstacles that writers love to make up: Rivals, misinformation, invading warlords, sudden storms, bad luck, traitors, or the kid next door.

What happens if a protagonist dies?

A story that casts death as permanent and final, ends with the death of the protagonist. All that can come after it is an epilogue. Certainly you don’t have to narrate the story chronologically, and there are novels that begin with the protagonist’s death and are all flashbacks, but the story still ends with his death.

Does the protagonist always win?

No, your protagonist does not have to succeed. Your protagonist has to arrive at some difficult choice and make a choice that the reader finds emotionally or morally satisfying. That does not mean that they have to win the fight with the antagonist, either immediately or in the future.

How do I embarrass my character?

Cringe: 25 Creative Writing Prompts To Help You Embarrass Your Characters

  1. Your bra comes undone or the bra strap breaks.
  2. You accidentally send an email or a text criticizing or mocking a person… to that person.
  3. You break a chair or a fence you sit on.
  4. You’ve gone to the wrong classroom, business meeting, or funeral.
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How do you give your character trauma?

Give your characters a backstory, but don’t let the traumatic event dictate their entire lives. Real people never want to be defined by a single thing that happened. The device is great for creating inner tension because it leads to conflict between characters (and an interesting storyline).

What is a foil character?

In literature, authors will sometimes highlight certain aspects of a character’s personality by using a foil: a supporting character who has a contrasting personality and set of values. Putting the foil and main character in close proximity helps draw readers’ attention to the latter’s attributes.

Can a protagonist be an antagonist?

The simple answer is no, the protagonist cannot be the antagonist, as the antagonist is defined by being opposed to the protagonist. They are antonym in that one opposes the other, but you could argue that they are a binary pair.

What is the most important character called?


Protagonist: The main character of the story is the protagonist.

Do villains ever win?

It’s fairly rare for mainstream films to allow the villain to win, which makes it a really shocking end to a story when it does happen. Some great films across all kinds of genres have taken this approach, and it makes for a pretty impactful finale.

Do the good guys usually win?

“Bad” sometimes leads at halftime, but “good” always wins the game – and if you give without expectation of those rewards, many times you’ll see them come through.

Does the antagonist have to be bad?

Conflict-creators: An antagonist doesn’t have to be a “bad guy.” Sometimes, they’re just a character whose goals are in direct conflict with the protagonist’s, like Mr.

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What is the third protagonist called?


In literature, the tritagonist (from Ancient Greek τριταγωνιστής (tritagōnistḗs) ‘third actor’) or tertiary main character is the third most important character of a narrative, after the protagonist and deuteragonist. In ancient Greek drama, the tritagonist was the third member of the acting troupe.

Can there be multiple protagonists?

Dual protagonists are characters who are both the central actors in a story, work toward a shared or similar goal, and take up approximately the same amount of screen time. Like most protagonists in film, they must both embark on inner and outer journeys that culminate in an emotional or physical change.

How do you write a false protagonist?

A false protagonist is presented at the start of the fictional work as the main character, but then is eradicated, often by killing them (usually for shock value or as a plot twist) or changed in terms of their role in the story (i.e. making them a lesser character, a character who leaves the story, or revealing them …

Is there a story with no protagonist?

No. But those kind of characters aren’t INTERESTING. The protagonist is primarily the main character, so unless you aren’t going to have a main character, you can’t really have no protagonist (although a protagonist could take other forms).

Can a protagonist be a side character?

Some writers like to mix it up by choosing someone that does not have the central role in the story and tell the story from their perspective. This is the Supporting Protagonist: someone who would normally be a secondary character by conventions of the genre but is actually the main character in the story.

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What do you call the second protagonist?

The definition of a deuteragonist (from the Greek deuteragōnistēs, for “second actor”) is the second most important and present character in a story—often called a secondary main character.

What is Tetartagonist?

The Deuteragonist is the second actor or the second most important actor in the narrative, Tritagonist is the third actor, Tetartagonist is the fourth actor, Pentagonist is the fifth actor, and so on.

How many deuteragonists can you have?

Two Main Characters • The Dark Knight

But their journey should influence the main character’s journey and play a significant role in the finale. And there are three distinct roles a deuteragonist can take within a story.

What are the 4 types of characters?

One way to classify characters is by examining how they change (or don’t change) over the course of a story. Grouped in this way by character development, character types include the dynamic character, the round character, the static character, the stock character, and the symbolic character.

How many main characters is too many?

A good rule of thumb might be: Include as many characters as needed to tell the story and evoke the proper style and scope—and no more. For intimate novels, this number might be as small as 2-5 secondary characters, and for broader stories, this number might be 20-30.

What is a typical protagonist?

Most protagonists are heroes. That is, they are “good guys” and have the audience’s full sympathy. The hero is morally upstanding, and usually some kind of leader, either of a small ragtag band or a massive army. Either way, a hero is morally right, and generally less in need of development than other characters.